I’ve heard so much about The Broad Museum, everywhere. From people (in person) and people (online) to people (via a phone or text conversation). With each conversation the more I heard the more I wanted to visit this artistic place in Los Angeles.
My youngest son, Brad, (who appreciates art, all kinds, from Jackson Pollack to Basquiat to Andy Warhol to Kaws to Picasso), and I walked passed an extra long line of people (who didn’t purchase free tickets beforehand, online) and into the tall rectangular structure, anticipating a rewarding experience.
The building is interesting. Simply driving by it seems to be an ordinary structure, nothing much to think about. But if you stand a distance away you can see how art is used to form the shape. Looking towards the entrance, the north side of the building, you will notice that the bottom corners are sliced off, creating a unique design. You will also make note of the complimenting gashes carved all around its surface. Plus, there is a small oval (window?, I think) surrounded with a frame of blue and yellow.
When Brad and I entered the building our first option, if we so chose, was to stand in a line (Yuk! I hate lines!) to sign up to experience the Infinity Mirrors by Yayoi Kusama (2 hours later, from that moment). Line displeasure aside, we concurred, Why not? An interactive piece of artwork should not be bypassed.
We assumed exploring would take a while, a couple hours at least, so we took the escalator to the 3rd floor – the only floor with art displayed – and strolled around the venue, gazing at and contemplating various pieces. Of course, we had to hit the Basquiat works and the Andy Warhol’s, which did not disappoint. I learned that the Barbara Kruger pieces are the color inspiration for the ultra popular clothing store, Supreme. Supreme’s red and white colors, the styling, and the font they use are an imitation of Kruger’s. We walked under the oversized table and chairs created by Robert Therrien, which was supposed to return one to childhood memories of crawling around. For me, I didn’t vibe on that memory – I never crawled under tables. But, the style of the chairs Therrien recreated are a perfect match to a chair I have that belonged to my dad, long ago. A chair that is a staple piece in my home office. Jeff Koons’ colorful balloon-like animals and fruit (made with stainless steel and a mirror-like surface) are fun pieces of art. Reminders of the good things in life. And the black and white photos by Robert Longo make you think. As does the charcoal on canvas drawing by Jenny Saville. Both artists created a feeling that I have been part of a similar story. And finally, the exhibit Soul of A Nation: Art in the Age of Black Power was extraordinary and thought provoking, showcasing contributions by artists beginning during the civil rights movement.
Heading back to the ground floor, to the Infinity Mirror room. I realized we still had 45 minutes left before Brad and I could even stand in line (Blah!) to enter the space filled with panels of mirrors and strings of lights. We wondered if it was worth the wait. Right about that time, as we were contemplating leaving (instead of waiting), Brad and a guy – an employee of The Broad – both about the same age, engaged in a conversation about the pants and shoes each was wearing. (Fashionistas are everywhere!) There had to be some kind of bond because when Brad asked, “Is it worth the wait?” pointing toward the Infinity room. Mr. Employee said, “Follow me.” We did. And he graciously guided us to the front of the line.
Wait or no wait, it was worth it.
On the way home, we discussed what we thought about the museum and it was determined that, overall, the works of art were definitely worth taking the time to visit.
Yet, the downfall, was that with so many people given access to The Broad at one time, the noise level was very distracting. Art should be experienced quietly, reflectively, and respectfully, like libraries.